“I am in the midst of rewriting the first script now. We’re not working on the second part yet. The first script is just about the kids. It’s more like (1985) meets a horror film We’re definitely honoring the spirit of Stephen King, but the horror has to be modernized to make it relevant. That’s my job, right now, on this pass. I’m working on making the horror more about suspense than visualization of any creatures. I just don’t think that’s scary.
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What could be there, and the sounds and how it interacts with things, is scarier than actual monsters. “ –, on the development of It On March 12, 2009, reported that would be bringing ‘s novel to the big screen, with David Kajganich to adapt King’s novel, while Dan Lin, and Doug Davison would be producing the piece. When Kajganich learnt of Warner Bros.’ plans to adapt King’s novel, he went after the job.
Knowing that Warner Bros. Was committed to adapting It as a single feature film, Kajganich began to reread the novel in an attempt to try to find a structure that would accommodate such a large number of characters in two different time periods, around 120 pages, which was one of Warner Bros.’ stipulations.
Kajganich worked with Lin, Lee, and Davison on (2007), and he knew they would champion good storytelling, and allow him the time to work out a solid first draft of the screenplay. Kajganich spoke of the remake being set in the, “mid-1980s and in the present mirroring the twenty-odd-year gap King uses in the book and with a great deal of care and attention paid to the backstories of all the characters.” Kajganich also mentioned that Warner Bros. Wished for the adaptation to be rated R which he furthered by saying, “ we can really honor the book and engage with the traumas (both the paranormal ones and those they deal with at home and school) that these characters endure.”, while Kajganich acknowledged that Warner Bros. Wanted the adaptation as a single film.
He said that his dream choice for Pennywise would be if he were still alive, and the Pennywise that Kajganich scripted being “a less self-conscious of his own irony and surreality.” On June 29, 2010, the screenplay was being re-written by Kajganich. On June 7, 2012, had revealed that was boarding the project as director and will co-write the script with Chase Palmer, while Roy Lee and Dan Lin are producing, as with and David Katzenberg of KatzSmith Productions. On May 21, 2014, Warner Bros. Was announced to have moved the film to its division, with overseer duties conducting by New Line’s Walter Hamada and Dave Neustadter, along with Vice President of Production at Warner Bros., Niija Kuykendall. On December 5, 2014, in an interview with, Dan Lin announced that the first film will be a story about the children tormented by and the second will skip ahead in time as those same characters band together to continue the fight as adults. Lin also stated that Fukunaga was only committed to directing the first film, though was currently closing a deal to co-write the second.
Lin concluded by mentioning King, to which he remarked, “The most important thing is that King gave us his blessing. We didn’t want to make this unless he felt it was the right way to go, and when we sent him the script, the response that Cary got back was, ‘Go with God, please! This is the version the studio should make.’ So that was really gratifying.” Lin confirmed that Fukunaga would begin in Summer 2016. On February 3, 2015, Fukunaga was interviewed by wherein he spoke about It, while mentioning he has someone in mind for the role of Pennywise. On March 3, 2015, Fukunaga spoke of the film, particularly noting his goal to find the “perfect guy to play Pennywise”. Fukunaga also revealed that he, Kajganich and Palmer had changed the names and dates in the script, adding, “ the spirit is similar to what he’d like to see in cinemas.” On May 4, 2015, it was officially announced that had been cast to play Pennywise, after Fukunaga was “blown away” by his audition. Was considered to play one of The Losers’ Club members.
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On May 25, 2015, it was reported that Fukunaga had dropped out as the director of It. According to, Fukunaga clashed with the studio and didn’t want to compromise his artistic vision in the wake of budget cuts by New Line, which greenlit the first film at $30 million. However, Fukunaga maintained that wasn’t the case, with him stating he had bigger disagreements with New Line over the direction of the story: “I was trying to make an unconventional horror film.
It didn’t fit into the algorithm of what they knew they could spend and make money back on based on not offending their standard genre audience.” He made mention that the budget was perfectly fine, as well as his desire to make Pennywise more than just the clown. Fukunaga concluded by stating, “We invested years and so much anecdotal storytelling in it. Chase and I both put our childhood in that story. So our biggest fear was they were going to take our script and bastardize it So I’m actually thankful that they are going to rewrite the script. I wouldn’t want them to stealing our childhood memories and using that I was honoring King’s spirit of it, but I needed to update it. King saw an earlier draft and liked it.” On Fukunaga’s departure, King wrote, “The remake of IT may be dead—or undead—but we’ll always have. He’s still floating down in the sewers of Derry.” Cary Fukunaga (2009-15).
The Dark Tower ‘s protagonist as depicted in the opening credits of another Stephen King adaptation, (2007) The project has been ongoing since 2007 with periodic reports and official announcements. To date, the proposed film adaptation has gone through three major phases of planning: initially with from 2007 to 2009, then with from 2010 to 2015, and currently with Arcel with Howard remaining in a producing role. Abrams (2007–09) Movies first reported in early February 2007 that a film adaptation of The Dark Tower series was in the works. Abrams, co-creator of the television series, was supposedly attached to produce and direct. And, who co-created Lost with Abrams, optioned The Dark Tower from King for a reported amount of nineteen dollars, a number that mysteriously recurs throughout the series. According to issue #923 of, King “is an ardent supporter of Lost and trusts Abrams to translate his vision” into a film franchise with Lindelof being “the leading candidate to write the screenplay for the first installment.” It was around this same time that launched their graphic novel adaptation of The Dark Tower with. Later, in March 2007, Abrams noted in an interview with that the project is “something that we are just now talking about with Stephen, so it’s too early for me to say that we’re even officially doing it yet just because the thing is in the early stages of discussion.” A year later, in February 2008, Abrams reiterated that The Dark Tower adaptation was in the early stages of development, when interviewed.
When interviewed by in September 2008, Abrams admitted that the project needs time he does not have because of Lost, especially since he would like to see a seven-film series ( would be published in 2012). However, in May 2009, Abrams stated to IGN that he and Lindelof were planning on beginning work on The Dark Tower as soon as Lost finished its run. A 15-year-old who received spider-like abilities after being bitten by a genetically-modified spider.
Producers and were impressed by Holland’s performances in, and, as well as his numerous screen tests for the role. Holland took inspiration from and, the previous Spider-Man actors, but also hoped to deliver something “new and exciting” with his take on the character. Holland added, “This is a very different side to Spider-Man because you’re going to see a kid dealing with everyday problems that a 15-year-old deals with as well as trying to save the city.” Holland attended in for a few days to prepare for the role. While there, he told a few of the students he would be portraying Spider-Man, who did not believe him, which Holland felt would carry over well into the film, where other characters do not suspect Parker of being Spider-Man. It took Holland between 25 and 45 minutes to get into costume, depending on if he had to wear a harness for stunts underneath the suit. Holland initially signed for “three Spider-Man movies and three solo movies”.
A man with criminal tendencies who runs a New York salvaging company and has a suit consisting of mechanical wings forged from technology. Director said Toomes would be different from other MCU villains like and, as “It’s fun to think that if Spider-Man is a regular kid who becomes a superhero, there’s got to be a bunch of regular guys who become supervillains, too.” Keaton called Toomes “interesting to play” and not completely villainous, saying “there’s parts of him that you go, ‘You know what?
I might see his point.' ” Co-producer Eric Hauserman Carroll likened Toomes to “the dark Tony Stark”, a “businessman with a family. He wants to look out for his kids. He’s got sort of a mentality. He doesn’t have these big delusions of grandeur where he wants to take over the world, or replace the government, or even defeat the Avengers or anything.
He just wants his shot at the good life”. Keaton was not hesitant to portray another comic book character, after previously portraying in ‘s and its. Watts was inspired by ‘s from for Toomes’ “ground-level perspective” in the film.
as: The former head of security for and Tony Stark’s driver and bodyguard. Favreau stated that in the film, Hogan is “looking after Parker. He needs someone to help him out.”. as Michelle. One of Parker’s classmates, “very smart, very intellectual, and always in her books.” Michelle was not intended to be a love interest for Parker, with Zendaya calling her “very dry, awkward, intellectual and because she’s so smart, she just feels like she doesn’t need to talk to people So she comes off very weird. But to me, she is very cool because she’s deep. She’s always thinking about something, always reading.” Watts likened the character to ‘s Allison Reynolds from or ‘s Lindsay Weir from.
Peter’s aunt. First reports of Tomei’s casting caused backlash on social media, with comic book fans opining that the actress was “too young and attractive to portray the character”, especially after the character had older actresses than Tomei. Regarding this, Captain America: Civil War co-writer said that, for the MCU, they were trying to make Peter “as naturalistic as possibleThat’s partly why his aunt isn’t 80 years old; if she’s the sister of his dead mother, why does she have to be two generations ahead?” After researching the character, Tomei did make “a case to age me up, but no they didn’t do it.”. as.
A self-described genius, billionaire, playboy, and philanthropist with of his own invention, who is Parker’s mentor and is the creator of. Chairman noted that, beyond the commercial advantage of featuring Downey in the film, the inclusion of Stark was important due to the relationship established between him and Parker in Captain America: Civil War, and felt that the development of that relationship would be a rewarding aspect of the film. Watts added, “You have to think about the implications of what he did in Civil War, which is pluck this 15-year-old kid out of obscurity and bring him to Germany to embark on this insane adventure. And then he just drops him off at the end of it while he continues his part of the story. There’s a lot of repercussions to that. Is it a first step towards Tony as some sort of mentor figure?
Is he comfortable with that?” portrays Parker’s best friend Ned, a “complete gamer”. Marvel used as a basis for the character, who does not have a last name in the script or film, but essentially created their own character with him. Carroll said that Ned and other characters in the film are essentially composites of several of their favorites from Spider-Man comics, and while Ned may eventually wind up with the last name “Leeds”, it is not a guarantee. Portrays, Parker’s love interest and classmate, with a.
Plays, Parker’s rival and classmate. Revolori spoke about portraying Thompson, who is generally depicted as white in the comics, saying, “I know how important the character is to the comic-book fans, so I’m trying to do him justice.” Rather than being a physically imposing jock, Thompson was re-imagined as “a rich, smug kid” to reflect modern views of bullying; this depiction was largely informed by Holland’s visit to The Bronx High School of Science. Additionally, plays, who uses modified versions of ‘s gauntlets that shoot vibro-blasts, while portrays another Shocker; both are accomplices of Toomes. Plays, and plays one of Parker’s friends., who previously played in the MCU, plays Parker’s high school principal. Plays the school’s gym teacher, which he described as “one of the dumbass characters that don’t realize Parker is Spider-Man”., who previously had a non-speaking role in identified as by the novelization for that film, appears as a teacher who is also the coach., Jorge Lendeborg Jr., and are cast in unspecified roles. Spider-Man co-creator has a, while cameos as. Elenco e personagens.
“We want to play with Spider-Man in the high school years because frankly there’ve been and there are so many things from the comics that haven’t been done yet. Not just characters or villains or supporting characters, but sides to his character I think it was midway through the that he graduated high school. At the beginning of the, he graduated high school.
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And some of my favorite Spider-Man arcs and Spider-Man stories, he’s in high school for a lot of it. We want to explore that. That also makes him very, very different from any of our other characters in the ” —, President of Marvel Studios Following the, emails between Co-Chairman and president were released stating that Sony wanted to produce a new trilogy of Spider-Man films while Sony retained “creative control, marketing and distribution”.
Discussions between Sony and Marvel broke down, and Sony planned to proceed with its own. However, in February 2015, Sony Pictures and Marvel Studios announced that they would release a new Spider-Man film with and Pascal producing.
The character would first appear in an earlier Marvel Cinematic Universe film, later revealed to be. Marvel Studios would explore opportunities to integrate into future Spider-Man films, which Sony Pictures would continue to finance, distribute, and have final creative control over. Also co-financed the film with Sony, via its deal. Feige stated that Marvel had been working to add Spider-Man to the since at least October 2014, when they announced their full slate of, saying, “Marvel doesn’t announce anything officially until it’s set in stone.
So we went forward with that Plan A in October, with the Plan B being, if the deal were to happen with Sony, how it would all shift. We’ve been thinking about the Spider-Man film as long as we’ve been thinking about Phase Three.” It was revealed that and Matt Tolmach, producers for director ‘s Amazing Spider-Man series, would serve as executive producers, and that neither Webb nor Amazing Spider-Man actor would return for the film. Sony was reportedly looking for an actor younger than Garfield to play Spider-Man, with and considered front-runners to take the role. In March 2015, was being considered to write and direct the film, while O’Brien said he had not been approached for the role. Goddard, who was previously attached to Sony’s film based on the, later said he declined to work on the new film as he thought he “didn’t really have an idea” for it, adding “it’s very hard to say, ‘Ok, now write a new movie,'” after spending a year working on the Sinister Six film and being in that mindset. The next month, while promoting, Feige said the character of Peter Parker would be around 15 to 16 years old in the film, which would not be an since “there have been two retellings of that origin in the last thirteen years, so we are going to take it for granted that people know that, and the specifics.” Parker’s is referenced in the film. Later in April, and were under consideration by Sony and Marvel to play Spider-Man, with Holland and Butterfield the front-runners.
In May 2015, and were being considered to direct the film. Butterfield, Holland, and for the lead role against, who portrays in the MCU, for “chemistry”. The six were chosen out of a search of over 1,500 actors to test in front of Feige, Pascal, and the, the directors of Captain America: Civil War. By early June 2015, Levine and Melfi became the favorites to direct the film, with Daley, Goldstein, and also in consideration, while Feige and Pascal narrowed the actors considered to Holland and Rowe, with both screen testing with Downey again. Holland also tested with, who portrays in the MCU, and emerged as the favorite.
On June 23, Marvel and Sony officially confirmed that Holland would star as Spider-Man, and that Watts would direct the film. The Russos “were pretty vocal about who they wanted for the part”, pushing to cast an actor close to the age of Peter Parker in order to differentiate from the previous portrayals. They also praised Holland for having a dancing and gymnastics background. Watts was on the Civil War set for the filming of Spider-Man’s scenes, in order to “see what they were doing with it” and provide “ideas about this and that.” On joining the MCU and directing the film, Watts said, “I was really excited about that, because the other movies have shown what I described as the Penthouse level of the Marvel world, what it’s like to be, Iron Man, you know, a billionaire playboy and all of that stuff. But what’s great about Spider-Man is that he’s a regular kid and so by showing his story you also get to show what the ground level is like in a world where the Avengers exist”. Feige said the films of would be a major influence and that Parker’s personal growth and development would be just as important as his role as Spider-Man. He noted that at that age, in high school, everything feels like life or death.” He also said that the film hoped to use one of that have not, and that filming would begin in June 2016.
In July 2015, it was reported that had been offered the role of, Peter’s aunt. It was also revealed that Daley and Goldstein, after missing out on the director role, had begun negotiations to write the screenplay, with both confirming shortly after that they had reach a deal to do so.
In October 2015, Watts said he was looking to make the film a to see the growth of Parker, citing, and as some of his favorite films in that genre. In December, Oliver Scholl signed on to be the production designer for the film.
Announced that the film will be his last Transformers film. In March 2015, reported that Paramount Pictures was in talks with Oscar winner ( ) to pitch new ideas for the Transformers franchise’s future installments. The studio intends to do what and have been doing to spawn three new sequels, and what Disney is doing to revive with sequels and spin-offs.
Paramount wants to have their own cinematic universe for Transformers similar to ‘s/‘s (one of Paramount’s previous film series) and ‘. Goldsman will be the head of the future projects and will work with franchise director, executive producer, and producer to organize a “writer’s room” that will incubate ideas for potential Transformers sequels, prequels and spin-offs. The writer’s room members include:, Lindsey Beer, Andrew Barrer, and, ( ), ( ), ( ), ( ), Ken Nolan, and Geneva Robertson-Dworet. Kirkman left the room after just one day to undergo throat surgery. In July 2015, & were announced as the film’s screenwriters. However, on November 20, due to Goldsman’s commitments creating a writer’s room for and properties, Paramount began to negotiate with ( ), as well as Ken Nolan ( ), to write the film.
Writers Lindsey Beer and Geneva Robertson-Dworet were also brought aboard for writing duties. “I think I brought the concern to the movie studio and certainly to the writers. Perhaps Transformers 5 and 6 movies will go back more to its roots. There was an occasion where one line in Transformers: Age of Extinction which Optimus Prime had, I did not want to say. It was my gut instinct and certainly my commitment to the character not to say the line.
But I was told to say. You can’t fight the big boys.
I think you all know what that line was.” — on a question from a fan on the future of the franchise from After, Bay had decided not to direct any future Transformers films. But in early January 2016, in an interview with, he confirmed that he would return to direct the fifth film, and that it would be his last Transformers film. Will spend $80 million on production in Michigan in return for $21 million in under agreements entered into before the state legislature eliminated the film office incentive program in July 2015.
In April 2016, Paramount hired cinematographer Jonathan Sela. On May 17, Bay revealed the official title of the film to be The Last Knight on his account, along with a production video showing a close-up of what is presumably Optimus Prime’s face with purple eyes instead of blue, and his face mostly discolored. The official Twitter account shows a 19-second short video in morse code that translates to “I’m coming for you May 31”. On May 31, it was revealed that Megatron will be returning for the sequel. Casting In December 2014, Mark Wahlberg confirmed that he would return for the sequel.
In February 2016, there were for new lead and supporting roles in and, as well Peter Cullen returning to voice Optimus Prime. Approximately 850 cast and crew will be hired, 450 of whom will be Michigan residents equating to 228 full-time positions. Additionally, 700 extras will be hired from among Detroit residents as part of Paramount’s incentive deal with the state. On April 13, reported that was in talks to star as Izabella. The site also reports that Bay is eyeing, and for supporting roles.
On May 17, 2016, it was confirmed that would reprise his role in the film and Jerrod Carmichael was cast. In June 2016, and joined the cast; and confirmed that he will be returning as Robert Epps. In August 2016, was confirmed to reprise his role as, a different version from the television series. On September 4, 2016, confirmed his return. On October 14, 2016, Bay announced that would be reprising his role as Seymour Simmons from the first three films, as well as, who will return to voice Hound. A Month before the film’s release, Bay reveals that the character Cogman would be voiced by actor, where it was requested by co-writer Matt Holloway who happens to be a fan of the series. In, one of the many locations used in the film.
Began on May 25, 2016, in, with a few scenes shot by a “small team”. Filming continued on June 6, 2016, in, and on June 19, 2016, in, under the E75, with additional filming took place in,. In Detroit, filming took place in the, Cafe D’Mongo’s Speakeasy,.
Production moved to on August 21, and filming commenced on August 22 in,. Filming took place in and in, and in between August and October. In early September 2016, filming took place in in in England including car chase scenes.
Production continued at St Aidan’s Church, Seahouses where Walhberg spent an hour inside the church and reportedly donated £200. Rev Father Des McGiven said: “I didnt even know he was in church until he left, one of my parishoners Danielle Love recognised him and explained who he was, its great that we had him in for the service and appreciate his generosity towards our church.” Car chases were also filmed at the monument area of Newcastle upon Tyne, where Josh Duhamel was filming while Wahlberg and Sir Anthony Hopkins continued at Alnwick, Seahouses and the Bamburgh Region of Northumberland. In late September 2016 filming was spotted in, at the Royal Navy Submarine Museum. On October 5, 2016 filming was spotted at, London. London filming wrapped on October 27, 2016. Principal photography wrapped on December 4, 2016.
Effects As with previous Transformers installments, will serve as the main visual effects company for Transformers: The Last Knight. In early 2016, the company showed Bay an underwater rendering of a crash-landed alien spaceship and a new dump-truck Transformer with a cloak. Music On September 27, it was confirmed that will return to write the score, having composed the music of the first four films. Release Transformers: The Last Knight is scheduled to be released on June 21, 2017, having been moved up from its original June 23 release date.
The teaser trailer of the film was released on December 5, 2016 and was attached to. Marketing The first teaser trailer on Monday, December 5, during ‘s was shortly released online thereafter. With 24 hours of its release, the trailer garnered a record breaking 93.6 million views from various social media platforms, such as, and, making it the third highest-viewed trailer of 2016, falling behind Disney’s (127.6 million views) and Universal’s (114 million views in 24 hours), but surpassing Marvel Studios’ trailer, which scored 81 million views in its first 24 hours online. Following the trailer’s release, the film trended on all major social media sites, including YouTube, Facebook, Twitter, and Reddit. It was ‘s No. 1 trending topic in China, where the preview was viewed 16 million times its first day of release.
TV spots for the filmed started airing ahead of the Super Bowl spot on February 3, 2017. An extended trailer aired during on February 5, 2017.
On March 11, 2017, a new TV spot and the first clip was shown at Nick’s KCA. On March 16, 2017, a new trailer aired during release of the, while the third trailer was released on April 13, 2017.
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